Target Acquired: Mission Termination.
Terminator: Dark Fate is a science fiction action film that serves as a direct sequel to Terminator 2: Judgment Day. It ignores the events of the films Terminator 3: Rise of the Machines, Terminator Salvation, and Terminator Genisys.
The story takes place decades after the events of Terminator 2. Sarah Connor, now a hardened warrior, must protect a young woman named Dani Ramos from a new, advanced Terminator known as Rev-9. Dani is the key to the future of humanity, and Sarah must prevent the apocalypse. Along the way, she is aided by a cyborg known as Grace, who is sent back in time to protect Dani.
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To visualize Rev-9's global surveillance capabilities, I conducted research and development on a specific sequence UIs. The goal was to imagine the inner workings of its advanced software, his "mind" interpreting the vast amounts of CCTV's data it processes, avoiding cliché futuristic aesthetics and explore innovative, unseen alternatives.
In a second sequence, we focused on Rev-9's first-person perspective, visualizing his scanning process as he sought Dani and other characters throughout the film.
The raw, data-driven beauty of Lidar scans provided the final inspiration for our aesthetic.
The raw, data-driven beauty of Lidar scans provided the final inspiration for our aesthetic.
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Direction & Creative Direction: François-Côme du Boistesselin
Art director/Motion Design: F. Zunino
Final look: François-Côme du Boistesselin, F.Zunino
Agency - Unit Motion Design / Client - Paramount
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Rev-9's first-person perspective R&D.
CCTV system interface R&D.
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